Well, except for Fatboy Slim when he did his Big Beach Boutique II, AKA
Normstock II - when a quarter of a million people turned up to see a handful
of ugly men play other people's records. The number of people caused major
problems for the town, transport was impossibly clogged, lines to get to
bathrooms were legs crossingly long, and ever shop was picked clean of snacks
and beer. I hear Norman's planning to take this idea on tour to all the
famous beaches around the world, but if you want to get a taste of the event
then you can get the DVD.
The music is top notch, up for it, in yer face house
music - and the DJ is entertaining, clearly enjoying himself, well except for
the moment when one of his records skip during a mix. DJ's should buy this CD
just to see how easy mixing is, and how important it is to pick good records.
Speaking of which.... I'd better go and put together a show for you lot before
you get bored.
Scott Manley
| Artist | Track | Label | Buy? (readme) |
|---|---|---|---|
| Bassbin Twins | ESW | Marine Parade | |
|
This is the intro track we play
at the start of every show. Slammin Beats!
|
|||
| Mint Royale |
Blue Song | Faith and Hope | |
|
Mint Royale, managing to combine big beat and Moby style blues samples,
from their top album 'Dancehall Places'
|
|||
| Slam vs Unkle |
Narco Tourists | Soma | |
|
This collaboration between Slam and James Lavelle was released to celebrate
Soma's 10th anniversary, it's a guitar led grinding house record. It's
a great record to celebrate the first decade of Scotland's best dance music
label.
|
|||
| A Guy Called Gerald |
Voodoo Ray | Warlock | |
|
One of the best records ever made, understated, atmospheric, and just
overflowing with groove. Not much else even comes close.
|
|||
| Fab Four feat Robert Owens |
Last Night A DJ BLew My Mind | |
|
|
Clearly inspired by another classic this modern update, is nicely laid back
and funky at the same time. Also featuring classic house vocallist Robert
Owens who has experienced a resurgence in popularity recently through his
work with Photek and others.
|
|||
| De'Lacy |
Hideaway (Deep Dish Mix) | Deconstruction | |
|
The production on this record is amazing, the vocal compbined with the wierd
synth noises over the beat made it stand out back in the early 90's, another
one of those timeless dancefloor classics (2 in one show!).
|
|||
| NYC Connection |
Bless The Funk | Urban Underground | |
|
I heard the plump DJ's playing this a lot, it's a pretty stripped down record
compared to the kind of breaks that the Plumps produce, but you always need
balance right?
|
|||
| Basement Jaxx |
Do Your Thing | XL | |
|
This house track has a great swing Jazz feel which makes it irrepressably good
fun, you have to get the Jaxx last album 'Rooty' - worth every penny.
|
|||
| Maurice and Noble |
Hoochie Coochie Man | White | |
|
Very hot white label at the moment, I don't even think I have a first
generation copy, but this Prog house meets U2 sound is generating some
amazing reactions when its played.
|
|||
| Tenth Planet |
Ghosts (Redancka Mix) | Tommy Boy | |
|
By the numbers prog-trance number with a nice vocal, there's no reason I should
like this record more than a load of others, but I can't help myself, hope
it's not just me that digs this track.
|
|||
| Meat Katie and Elite Force |
Toba | Kingsize | |
|
Dark prog house track, as black as the vinyl it's pressed on.
|
|||
| Circulation |
Turquoise (BLIM's Relentless Bass Mix) | Hooj Choonz | |
|
Another contender for 'Heaviest Bassline In The World', this beast used to
sound amazing every time I'd play it in the back room at Halflife, the room
was just the right size to accentuate the evil bassline.
|
|||
| Slacker |
Scared (Scared Of Tomorrow) | Loaded | |
|
This is an older Epic house track from about 1997, slacker have never quite
made it as big as they deserve, but they've just kept putting out great
records, and this was one fo their first.
|
|||
| Way Out West |
The Gift | Deconstruction | |
|
Pioneering breakbeat trance record from the same era, this record grabbed its
vocal from Joanna Law's version of 'The First Time Ever I Saw your Face',
after this record she seemed found herself in demand and contributed vocals
to several classic trance records.
|
|||
| Joshua Ryan |
Pistolwhip (James Holden Mix) | Nu-Life | |
|
Thankfull James stripped out the incredibly annoying siren from the breakdown
and left us with much more ambient moments. This is one of my favourite
trance records which came out around 2000 when trance was in a quality control
nosedive, wish I could play you more of it.
|
|||
Stay Funky....
see ya Next Week.
Scott Manley 06/13/03