DMZ Diary

#7 - April 12th 2003 - Lyrics In Dance Music

Dance music is inherently instrumental, it's driven by the drums and the bassline, both of which tax the versatility of the human voice. But, even taking account of this dance music lyrics are usually painfully limited and don't even stand up in comparison to the likes of Britney Spears and N'Sync. Certainly if you stretch the definition of dance music you start to find acts here and there who have produced lyrics that would stand up without music, Beth Orton, Dot Allison, Massive Attack to name but a few. But tracks that stand up on the dancefloor and actually say something are few and far between.

Most dancefloor monsters with lyrical depth have got there by being remixes of something else, Sarah McLachlan had a spate of remixes and even ended up with a whole remix album being produced. If a tranced up candy kiddie ever trys to whisper sweet nothings to their love of the moment there's pretty good odds that it'll borrow wholesale from Sarah's work. Hey it could be worse, they've probably graduated from 'Genie In a Bottle' since discovering trance.

Underworld have an interesting place in all of this, Karl Hyde's lyrics are frequently complete gibberish which conjure up all sorts of wierd images. Listen to Cowgirl, take a few sylables and repeat, layer some other phrases over the top - "I'm Invisible", "An Eraser Of Love", "I wanna give You everything, I wanna give you energy" - you could make all sorts of arguments about htis being modern poetry or something, but the production is largely part of the lyrics, it doesn't stand up on its own.

Dirty Vegas of course made it big with Days Go By, a record which I'm proud to have played for 6 months before Mitsubishi got ahold of it and played it to death. But there are plenty of half decent vocal tracks which haven't been played to death - so here's my list of recommendations. By no means the best, but just good enough to give people faith in the state of dance music.