Irony isn't funny if you have to explain it. Good music doesn't need to
explain itself, it bypasses those higher functions and goes straight into
the emotion centers of your brain. Whatever they call those. If anyone out
there is an amateur brain surgeon then tell me so I can avoid you when I'm on
tour. I like my brain the way it is.
Oh yeah, so as I was saying good music doesn't need to be intellectual, I
think it just needs to be honest, most music that hits the charts these days
is manufactured in multimillion dollar studio setups with masterful producers
directing musicians and performers into the niche which will shift the most
units. While the kid with a PC and some sample sequencer can throw together
something which he or she is truly proud of, something honest, that's where
the best music comes from.
Of course, I say this after hearing Hip-Hop superproducer P.Diddy has produced
a house record with Kelis and Deep Dish. I'm not quite sure what to make of
it, I hear he's been a regular at Ibiza parties for the past few years, has
he been seduced by club culture or does he see the clubbers as someone he
wants respect from? Whatever it is I'll be sure to play it when I finally get
a copy.
Meanwhile - this is what I'm playing this week
Scott Manley
| Artist | Track | Label | Buy? (readme) |
|---|---|---|---|
| Bassbin Twins | ESW | Marine Parade | |
|
This is the intro track we play
at the start of every show. Slammin Beats!
|
|||
| Mint Royale |
Sexiest Man In Jamaica | Faith And Hope | |
|
Mint Royale returned last year with
this Prince Buster sampling disco monster which never failed to raise a
smile - one of the few tracks Fatboy Slim played which wasn't on his record
label.
|
|||
| Kurtis Mantronix Presents Chamix |
77 Strings | Southern Fried | |
|
While this is was on Norman's record
label and ended up getting played out all over the place by Brighton's most
famous DJ
|
|||
| Lil' Devious |
Bounce | White | |
|
This is a great record, you can play
it in a breaks set or a house set and everyone loves it, c'ma everybody and
move your bodaaay.
|
|||
| Peter Dildo |
Physical 2000 | Distinctive | |
|
I originally found this on the Tyrant
mix album - Craig Richards and Lee Burridge are definately DJ's from the more
intellectual end of the spectrum. Not exactly a happy tune, but it certainly
means business on the dancefloor.
|
|||
| Birdy |
Ouisea Blue | Birdy | |
|
I've no idea who this artist is, but
the first time I heard this record I fell in love with it - the tribal beats,
the techy high hats, and the growling bassline. Especially good for that 3am
slot when some of the dancers are starting to flag, this would wake up the dead.
|
|||
| Vigi And Zero |
Ultrafunk (Latina Mix) | TCR | |
|
A Certain Ratio - for the noughties!
Tony Wilson would be proud, or something like that. The great thing about this
record is that it's diverse, you can be playing some techno, house, or breaks
and drop this latin number in the middle and it'll get a great reaction.
|
|||
| Soul Of A Man |
Dirty Waltzer | Finger Lickin' | |
|
I read recently that Finger Lickin'
sell more records in Australia than the rest of the world put together, over
there the Plump DJ's are superstars, playing to crowds of 18,000 people.
Maybe it's time I moved.
|
|||
| Who Da Funk feat Jessica Eve |
Shiny Disco Balls | SubUsa | |
|
This is truly a massive record, in fact
I worry that some stations will decide I'm not 'underground' enough when I
play things like this. Of course this record gave DJ's a whole new double
entendre - so they could make suggestive comments about things other than
their black 12 inches.
|
|||
| Dirty |
Dirty | Junior | |
|
Obscene, Dirty, Filty, Immoral - no
I'm not talking about my Disco Balls or 12 inches, just repeating the lyrics
of this records which is labelled as 'Not another production by King Unique'.
|
|||
| Atranig vs Angelica De No |
Dangerous | Sondos | |
|
Somewhat cheezy vocal on this by the
numbers prog house track, I like it, and as a Scotsman I appreciate the fact
that found it in my local record store in the 'free promos' bin.
|
|||
| Accadia |
Into The Dawn | Lost Language | |
|
At 130bpm this record is too slow to be
called trance, but otherwise it has all the trademark builds and breaks, it's
nice to chill out to, and the flip side has a fantastic breakbeat remix by
Ashtrax.
|
|||
| FC Kahuna |
Hayling | City Rockers/Skint | |
|
I think this has been the third time
this track has been re-released, this time it's on Skint, but I proudly play
my 10 inch copy from City Rockers. FC Kahuna did great things last year
and they produced and excellent album 'Machine Says Yes' - definately one
for your collection.
|
|||
| Way Out West |
Earth (waveform remix) | Distinctive Breaks | |
|
Earth was the last track on Way Out
West's debut album back in 1997 - the album was criminally overlooked by
the general populace. This remix turned up on the first Y3K compilation, and
still manages to sound blissfully chilled out despite running at trance tempos.
|
|||
| Choci & Mark Sinclair |
What Is Love | Cannon | |
|
This reinterpretation of 'What Time Is
Love' was swift and by the numbers, I'm not sure if the KLF would be proud
or horrified. But Frankly I love it.
|
|||
| Nukleuz DJ's |
The Curse Of Voodoo Ray | Nukleuz | |
|
This is from 'DJ Nation - Bootleg
Edition' - a ploy by Nukleuz to exploit the UK record sales chart, it seems
to have worked - they've been the first label to get a Vinyl only release into
the charts in over a decade. Ok it's cheezy hard trance, but that's the
best kind isn't it?
|
|||
I've not seen them perform live yet, but no doubt I'll have my chance
at one of their 'Weapons of Mass Bass' (W.O.M.B.) parties, check
their website at reversibledjs.com
to keep up to date with them.
Stay Funky....
see ya Next Week.
Scott Manley 29/03/03